Rainbow Over Turret Arch – by Mark B. Waldron

rainbowoverturretarch

I remember creating this image as if it were yesterday, although it wasn’t meant to happen, strange things occur out in the desert. It was March 1995, almost 20 years ago. I was on day 15 of a 20 day  photo trip in the Arches and Canyonlands area, I hand been photographing Arches National Park for the last 3 days and was ready to head home and spend a Day at  Goblin Valley. I waited that night for a sunset at Arches but it never happened, some rain moved in and the clouds never opened up. Checked the map and it looked like I could cut over on Willow flats road on the north side of the park to Hwy 191 (Back then I had my 1991 Isuzu Trooper…… Damm I miss that truck!). By then it was pitch black, I was crawling along this dirt trail when I saw water running across the road and decided I better not try to cross. Ok I thought to myself, just sleep in the back of the trooper and head back in the morning…..and if the light looks good stop at North Arch. I woke up 1 hr before sunrise and drove back to main Arches road and headed over to North Arch. Parked at the lot as dawn started to show. I grabbed my backpack and tripod, back then a Wista metal 4×5 with 5 lenses and 10 4×5 film holders loaded with Velvia, and a heavy ass Bogen tripod. The morning light ight was coming up quick as I climbed through North Arch to the back side. It was shaping up to be sweet, I spotted  a little shelf where I climbed up to and started setting up as fast as I could.

“Holy crap its happening the light going to be  great” I remember telling myself. Turret Arch behind North Arch has started to light up, gotta make quick decisions 135, 90 or 75mm. Decided to go with 90mm to get some foreground in the image. Put the dark cloth over the camera, a little rise on front element, I am talking to my self at this point, “this is freaking coming together” I start to get the shakes, grab the loupe, ok a little tilt and I am all in at f16 , as I am checking focus with loupe I see the rainbow over Turret Arch ” Oh Sh*t” gotta move faster.  Spotmeter on highlights  turn the knob to get correct exposure. I expose 2 sheets of Velvia, then as I insert another film holder and rainbow gone.
Got it!
MW

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Racetrack in Death Valley National Park

What better way to launch this rocket than to go back to the beginning? In my case, this is the first image that I made that had any real meaning to me….

Racetrack

It was 1990, and I was fresh out of Brooks Institute of Photography. I had landed a job with an inhouse studio for Robinsons Department Stores in Los Angeles. I had sold my big studio 4×5 camera, lens and tripod that I had used through school, and had used the money to purchase a Calumet Wood Field Camera and a smallish tripod.

After “borrowing” a lens from the studio for the weekend, I tagged along with Senior Photographer Ken Reece as he drove up to Death Valley National Park (it was most likely still a National Monument at that time). He told me that he wanted to show me this really wild place called “Race Track”. It was my first time to this part of California, and I was really stoked to be exploring.

Race Track is a couple hour drive on a rough four wheel drive road from the campgrounds where we were staying. It was hot and dusty, and my initial excitement had began fading long before we even got close.

When we finally arrived, I was blown away. I had never seen something so strange…..a perfectly flat dry lake with concrete hard mud for a mile in any direction. After walking around for a while, I found the rock in the foreground, and decided that I would use it as an anchor to balance out the mountains in the background.

This was back in the film days, and describing the act of actually taking a photo with a 4×5 camera could fill up a few pages of this blog. Suffice to say, after 10-15 minutes of preparation, I was able to expose two sheets of film. Once I was back in the lab, normal processing produced two identical negs that printed easily. Our vehicle was visible as an extremely small bright spot at the base of the mountain in the background, but a quick spotting job took care of it.

I’ve printed this image as large as 20×24, and it holds up beautifully. It has always had an emotional place in my heart, and I still use it in my Landscape Portfolio to this day…..

Thanx for listening.

AL